ABOUT

How I ended up here

I went to NYU on a music scholarship, then to law school at UCLA, and practiced in Los Angeles for a while before admitting that was not it. Now I lead sound meditation gatherings around Phoenix and train sound practitioners at my place in New River. The gong did not come up in either degree.

Participation, not reception

You are the one meditating. The sound is what you do it with.

A practice, not a treatment

Nothing is done to you here, and nothing is a cure. You lie down and you practice.

Hands on the instruments

Trainings are small, and you spend the hours playing rather than watching me play.

Passed on the way it came

Most of what I know came from teachers who were generous with me. I teach the same way.

Hamid Jabbar smiling in a white linen shirt, standing in the Sonoran desert with saguaro and blooming palo verde behind him
MY JOURNEY

The long way round

Music came first. I went to NYU on a scholarship and it is still how I think, in phrases and intervals rather than in bullet points.

Law came next. I took a Juris Doctor at UCLA and practiced in Los Angeles. The degree earns its keep more often than people expect. It shapes how I read a study, and how I think about what a practitioner can honestly claim.

Then yoga, which is where I learned to teach. I co-created and co-directed the 200 and 300 hour teacher trainings at Urban Yoga in downtown Phoenix, and I am an E-RYT 500 with Yoga Alliance. Thai bodywork after that, studied in Thailand. Since 2012, sound.

MUSIC AND SOUND

Why it is the gong

A gong is not a subtle instrument, which is what I like about it. Played well it throws off a wall of overtones. The mind gives up trying to track them and goes quiet. That is most of what happens in the room.

I trained under Don Conreaux, and have kept studying since. Himalayan and crystal bowls, flutes, shruti box, harmonium, voice. I record too. Some of it comes out of sessions and some of it was built in the room on purpose.

Hamid seated on a studio floor with a row of Himalayan bowls in front of him and two large gongs hanging on a stand beside him
A tall San Pedro cactus in flower, white blossoms open at the top of each column, growing among trees
MINERALS AND HEALTH

The other half of the work

Sound is half of what I do. The other half is minerals and health: hair tissue analysis, the Root Cause Protocol, and the retreats I lead to the Sacred Valley of Peru. It started with my own health not adding up and nobody being able to tell me why.

That half has its own home. Everything about it lives at mineralshaman.com, including the retreat dates.

THAI MASSAGE

What I learned in Chiang Mai

Before sound there was bodywork. I trained in Northern style Thai massage in Thailand across several years, mostly at the home of one teacher, and kept going back for Tok Sen, which is worked with a wooden mallet rather than with hands.

That teacher was Ajahn Pichest Boonthumme of Hang Dong, who rebuilt the practice so that it benefits the person giving it as much as the person receiving it. He died in 2023.

I do not offer sessions now. That whole history is written down here instead, along with what learning this in Thailand actually involves and why it is still the answer I give.

A large temple gong on a raised platform in Thailand, its face covered in Thai lettering
Hamid sitting cross legged in the buttress roots of a large jungle tree in Peru, smoking a mapacho, with smoke rising past his face
PLANT MEDICINE

The years in Peru

The other thread runs through the Amazon and the Andes. I apprenticed in the Shipibo tradition, which is one of the most hands off ways of working with ayahuasca, and I have sat with huachuma in the mountains above Cusco. I still go back.

It meets the sound work more often than people expect. Sound is used inside ceremony, and one of the pieces I wrote is about yoga and ayahuasca, where two traditions turn out to be describing the same thing in different words.

None of it is offered here, and nothing on this site is instruction. What I have written is an account of what these traditions do and what I have seen, which is where it stays.

“I am not trying to fix anyone. What I am after is a room quiet enough that you can hear something you usually talk over. Everything else is instruments.”
HAMID
COME SIT

The best introduction is an evening

Reading about sound meditation is a poor substitute for lying down in a room with a gong in it. Gatherings run around the Phoenix area most months, and most people arrive knowing nothing about it.

If you would rather play than listen, the trainings start with an online course and go from there. If you came here for the mineral and health work, that lives at mineralshaman.com.