A weekend built around the gong and the power of overtones, for practitioners who want real playing time and the kind of conversation about sound we rarely get to have with each other.
September 19 and 20, 9:30am to 5:00pm both days.
45 to 60 minutes from most of Phoenix. I send the address and directions before the weekend.
Small enough that everybody plays and everybody is heard.
$333, $444 or $555, and my online sound course comes with any of them.
Beyond Gong is built around community. It is a gathering of practitioners coming together around the instrument that brought many of us here in the first place, and over two days we play, listen, share and learn from each other as much as from me.
There is an agenda and it is a loose one. I teach advanced gong playing throughout the weekend, in a way meant to be accessible to everyone in the room and aimed at leaving you genuinely at home with the instrument. Around that there are talks and cymatics demonstrations, a song circle for overtone singing and whatever else moves through us, and time with the newest instruments in the field.
The gong and the overtones are the centre, and the rest is all there: bowls, flutes, harmonium, shruti box, bells, chimes, kalimba, didgeridoo, rain stick, ocean drum, shamanic drum. We reach for them as we feel called and let the room decide where it wants to go.
Bring what you play. Some of the best hours of a weekend like this come from somebody putting an instrument in somebody else’s hands.
Practitioners, yoga teachers and musicians who want two days of real community and advanced practice around the gong. If you have been through one of my trainings this is the room to come back to, and if you have not, you are just as welcome.
Everybody who registers gets my online sound course if they want it, at no extra cost. It is over 20 hours of self paced video, the same course I sell on its own, and it runs continuously, so you can start the day you register and work at whatever speed suits you.
It carries 20 hours of Yoga Alliance continuing education.
That is what makes this weekend work for a room holding both beginners and people who have been playing for years. If you are newer to it, the course between now and September is how you arrive ready to play, and the two days are then about playing rather than about catching up.
The course carries a certificate of its own, on passing a written evaluation.
Expect real playing time, shared laughs, and room to be genuinely creative with the instrument. What people take home from a room like this is usually the thing they did not plan for.
Both days run 9:30am to 5:00pm. There is no timetable beyond that on purpose: the room decides the order and how long we stay with anything. This is what we go beyond the basics into.
The heart of the weekend. I teach throughout, in a way meant to be accessible to everyone in the room, and there is real playing time to put it straight into your hands.
The part that is not technique. What you are doing while you play, where your attention sits, and how that reaches the people listening.
How a room is held, what changes when you are the one holding it, and what to do when something unexpected moves through the people in front of you.
Seeing what sound does to matter, demonstrated rather than described, and what that tells us about what we are doing with these instruments.
Overtone singing, shared songs, and whatever else moves through us. Everybody who wants to join in does, and nobody who does not has to.
Time with the newest instruments in the field, hands on, including B-Love flumies. Bring what you play as well: some of the best hours come from somebody putting an instrument in somebody else’s hands.
It takes a minute. Choose what you pay, tell me who you are, and the place is yours.
Card payments are processed by Stripe. The terms are on the legal page, and anything else, write to me.
One of the eight places is a scholarship. To ask for it, write to me through the contact page and cover your relationship to sound and where you are with it now, why you want to do this particular weekend, and anything else you think is relevant to the request. I read every one of these myself and I will write back to you.
Registration is not refundable and a place does not move to another date, and with eight places a place you take is a place nobody else can. If I cancel the weekend or move it, you choose a full refund or your place at the next one.
A certificate of completion is available afterwards for anyone who needs one for professional purposes.